Free School MusicBrowse the library

Free School Music

Free music for school choirs, bands, and orchestras.

A library of public-domain works and original commissions for school ensembles — free to read, rehearse, print, and perform, with no royalty and no per-performance fee. The funding comes from ticket sales, not from the school: when a show is ticketed through the School Box Office network, we keep a small share. If the show is not ticketed, it costs nothing. The library is being built out now; the same model backs Free School Plays, which is live today with real scripts.

What you get

Free to the school, funded by the audience

Free to perform

Every work is free to read, rehearse, print, and perform — no royalty, no per-performance fee. When a show is ticketed, tickets are sold through the School Box Office network and we keep a small share, which keeps the scores free. Keep the composer and Free School Music credit on your program.

The full score, on the page

Each work carries the conductor score and the individual parts your ensemble needs. Print exactly what you require straight from your browser — no login, no download gate, no copy limit. A director can read the full score and decide in four minutes.

Rights-clear by construction

Public-domain works are engraved as our own editions of the original score, so there is no murky edition provenance and no "is this arrangement licensed?" doubt. We host compositions, never recordings. Originals are commissioned works we hold the rights to.

Stated honestly

What is built, and what is being built

The School Box Office ticketing infrastructure — gate-scanning, reserved seating, concessions, shared ticketing for multiple organizations — is built: the same infrastructure the Free School Plays model uses today. The score catalog, the score-browsing surface, and the parts-printing feature are in build: we are engraving the library one repertoire pack at a time and we do not publish placeholder entries. The catalog opens, work by work, as each edition is ready.

From the library

Works to start with

Free to perform

Morning Mood

Classroom · easy to medium (grades 3-6) · 1 min · single-line instrumental melody (treble, any C instrument); no lyrics

The opening theme of Grieg's 'Peer Gynt' Suite No. 1, Op. 46 (1875) -- the famous flute 'Morning Mood' melody, its octave-lower oboe answer, and the rising sequence to the high-C climax -- engraved as our own edition in C major, 6/8 (transposed down a major third from Grieg's E major to center the classroom range). Instrumental, no lyrics.

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Free to perform

Waltz of the Flowers (theme)

Solo and piano · easy to medium (grades 1-3) · 1 min · two-staff keyboard: melody (treble, any C instrument or recorder) + oom-pah-pah waltz bass

The cantabile horn theme of Tchaikovsky's Waltz of the Flowers (Nutcracker, 1892), engraved as a clean two-staff keyboard edition in D major: the singing melody over an oom-pah-pah waltz bass. Instrumental, no lyrics set.

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Free to perform

The Irish Washerwoman

Solo and piano · easy to medium (grades 1-3) · 1 min · two-staff piano/keyboard: treble melody + simple bass (playable as melody instrument + bass, or piano)

'The Irish Washerwoman' -- the classic Irish traditional jig in G major, 6/8, engraved as a two-staff classroom edition. Instrumental, no lyrics.

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Free to perform

The Easy Winners

Solo and piano · medium (grade 3, intermediate) · 1 min · piano / 2-staff (treble melody + stride bass); playable as melody instrument + bass

'The Easy Winners' (Scott Joplin, 1901) -- the bright A strain of Joplin's ragtime two-step, engraved as a two-staff classroom edition in C major. Instrumental, no lyrics.

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Free to perform

Solace (A Mexican Serenade) -- main theme

Solo and piano · medium (grade 3, intermediate) · 1 min · two staves -- melody (treble, any C instrument or piano right hand) + habanera bass (piano left hand or bass instrument)

'Solace (A Mexican Serenade)' -- the main theme of Scott Joplin's 1909 habanera-flavored rag, engraved as a two-staff classroom edition in C major. Instrumental, no lyrics.

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Free to perform

The Washington Post

Solo and piano · medium (grade 3, intermediate) · 1 min · 2-staff piano (or melody instrument + bass instrument): treble melody plus a plain root-motion march bass

'The Washington Post' (Sousa, 1889) -- the main strain of Sousa's celebrated march, engraved as a two-staff classroom edition in G major, 6/8. Instrumental, no lyrics.

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Connected to freeschoolplays.com

Free School Plays is live today. Free School Music follows the same model.

Free School Plays is the sibling site for school theatre: a live library of scripts, free to read, print, and perform, funded by ticket sales through the same School Box Office network. Directors read the whole script on the page, print copies for their cast, and put it on. Free School Music follows the same model for ensembles — the ticketing infrastructure and the funding structure are built; the catalog is what is being engraved.

Data & privacy

This site collects no student data.

Free School Music is a score library. There are no student accounts, no student profiles, and no minor-photo features — the site does not collect, store, or process any student personal data. The School Box Office network, when used to ticket a performance, operates under strict data standards: no behavioral tracking and no third-party data sharing.

Free School Music

The scores are free. Read, rehearse, print, and perform them — no cost, no royalty, no per-performance fee, no sign-up. A free concert is always free. The platform is funded a different way: when a show is ticketed, tickets are sold through the School Box Office network and we keep a small share of each ticket — that is what keeps the scores free. If a show is not ticketed, nothing is owed. Keep the composer and Free School Music credit on your program, either way.

Credited to its source

Every work here is either our own original or engraved edition, or an engraving of a composition that is in the public domain — we do not host other publishers’ copyrighted editions. We host compositions, never recordings. When a composition is public domain but the only edition around is a modern copyrighted one, we engrave our own edition from the public-domain score, so the result is rights-clean by construction. Every work is credited to its source: public-domain composers to the composers who wrote the music, and our own editions and arrangements to Free School Music.